Wanting on the Toronto-Dominion Centre at this time, you may undoubtedly see why it could be the proper setting for that climax. It is unassuming, postmodernist, and by at this time’s requirements, very generic. A lot of Bateman’s characterization lies in the concept that he is “higher” than everybody else due to his two identities — however deep down, he is simply as scared and boring as everybody else, irrespective of how many individuals he kills to persuade himself in any other case.
“The entire thought of the mistaken id is within the towers, as a result of he runs into one pondering it is his workplace, and it is not,” Harron informed e-flux, “and he finally ends up taking pictures a guard, after which he runs throughout the plaza to the opposite an identical tower, the place he lastly makes a confession to his lawyer.”
By making that location the place the place he confesses his crimes, he is accepted his normalcy and eventually, albeit unwillingly, relinquished his desperation to be distinctive. The one downside for him is that his identities have merged a lot, his sense of actuality has damaged, leaving the query of whether or not or not he really is a assassin within the air. That is demonstrated within the climactic scene the place Bateman runs into the Toronto-Dominion Centre towers, frantic and misplaced.
